By: The Busted Amp Staff
JOSEPH: I love this album. While not without a few missteps, this album is certainly one of my favorites of the year, and I have already found myself putting this album on repeat even though it was released just a few days ago. The album gets off to a great start in "Move" which is an extremely strong opening sequence, but I'll leave this song to Derek. I want to focus on the next song, Getaway. This is a great song, featuring some resounding drum lines and excellent vocals from front man A/J Jackson. There is also a great synth line here, which is also equally great in the opener, "Move"
DEREK: As Joseph mentioned, "Move" starts of the album on a strong note. In fact, I'd argue that it's a stronger opening single than the giant earworm "My Type" from their last album. A handclap intro explodes into a funky, almost disco influenced horn pre-verse. The production on this song is top notch, especially balancing the horns with the rest of the band. While the verses are a little boring from a lyrical standpoint, this song is certainly not made for that purpose. This is all about the chorus, and the band has crafted one of the best hooks of the year. I remember this song from their set at Lollapalooza this year, and hearing the crowd yell "MOVE" was all the evidence I needed to solidify this song as one of my favorites in their discography.
The problem with having such a strong start to the album is that it can sometimes be hard to keep the energy up for the remainder. Unlike what we saw from Phantogram on Three, Saint Motel does a pretty good job of keeping the quality level and a decently high level. What do you think Joseph?
JOSEPH: Agreed. After the excellent opener "Move" and even better "Getaway" which I mentioned earlier, Saint Motel does not let up with in the following tracks. "Destroyer" hits the gas pedal even harder and features an absolutely FILTHY saxophone line and a downright sexy sax solo on top of a catchy chorus. After "Destroyer," Saint Motel gives us a "break" with the gospel track "Born Again." While this might not be the best gospel song on the planet, it is certainly extremely catchy, and it is certainly one of the best mainstream gospel hits of the year. Another highlight for me later on was "For Elise," which featured a beautiful and jazzy rendition of Beethoven's classic Fur Elise. I'm a sucker for modern interpretations of classical pieces.
Ultimately, for me, this is one of my favorite albums of the year. I think Derek and I will disagree on that because he values lyrics more than I do, but from an instrumental standpoint Saint Motel have crafted a catchy and instrumentally interesting LP from start to finish. While it does let off the gas a little bit on the final three tracks, going from 100 MPH to 85 MPH really isn't that big of a difference. So, Derek, would you like to be the spoiler of fun and talk about this album's one major misgiving?
DEREK: I mean, yes, in terms of lyrical content this album is no philosophical or introspective masterpiece. But for what it is, I think a band like Saint Motel is acutely aware of their audience, and the album does what it set out to do. While I wouldn't put it in my top albums of the year, I respect the effort and "Move" is definitely in my top 10 singles of the year.
Derek's Number: 6.5/10
Joseph's Number: 7.5/10
Who are we?
Derek Jung and Joseph Kathmann -- Just two ordinary guys that love talking about music. You can read more about us here.