By: Derek Jung
Let's make one thing clear: I don't go to many punk rock shows. FIDLAR was one of my favorite performances at Lollapalooza this year, so I couldn't pass up seeing them at my home venue. What an experience it was.
First off, openers The Frights and SWMRS played some pretty standard pop punk. The latter of which features Green Day lead singer Billy Joe Armstrong's son on drums and was very, very coached in terms of their performance. The lead singer had a Matt Shultz of Cage the Elephant vibe in his dress with "Fuck Donald Trump" drawn on the front, and the guitarist did every cliched move in the book. All in all it was pretty ho hum, but the pit was definitely getting warmed up for the show to come.
FIDLAR took the stage to about a half capacity theater, which is pretty disappointing since they had been periodically selling out shows on their current tour, but that's Cincinnati for you. They immediately tore the roof off the venue with their cover of The Beastie Boys "Sabotage". From there it was 70 minutes of shredding through the hits from their first two albums. The audience ate it up, but we'll get there in a minute. The set was pretty similar to the one they played at Lollapalooza, but I wasn't expecting anything significantly different since they're on the same touring cycle. "Punks" is incredibly powerful live, and hearing everyone sing along to "Cheap Beer" and "Wake Bake Skate" was awesome.
The crowd, for being the size that it was, was absolutely insane. The pit was packed and churning with mosh pits through the entire set. Articles of clothing flew on stage so frequently that Brandon Schwartzel, the bassist tied about a dozen shoes to his mic stand in between songs. This, of course, encouraged more to be thrown on stage. I'm not sure moshing with bare feet is the best idea in the world, but I digress. Amongst the clothing being tossed were beer cans and water bottles, sometimes completely full and open. There was a nice, slick, sticky layer of filth on the pit floor after the show, which made me feel sorry for the staff of the newly renovated theater, but I guess it was to be expected. The moshing was much more intense than anything that we saw at Lollapalooza. A wall of death, contrary to the wall of hugs from Midpoint, actually looks very painful when witnessed in person, especially as bodies smack face first into each other at high speeds. Crowd surfing was a constant, and a few people even jumped from the second level onto the pit below. That's a drop of a good six or seven feet, people. Even one person managed to climb on stage and jump before security grabbed him. It was an amusing addition to the show, and definitely made it a memorable one to me.
Check out their cover of Sabotage from this year's Sziget Festival below.
Who are we?
Derek Jung and Joseph Kathmann -- Just two ordinary (debatable) guys that love talking about music. You can read more about us here: